70s Soul Music: The Artists Who Redefined a Genre
70s soul music picked up where Motown's tightly controlled hit machine left off.
It pushed the genre somewhere far more personal.
Marvin Gaye and Stevie Wonder led the way.
They used their newfound creative freedom to write about the world instead of just romance.
From there, the decade split into a dozen different directions at once.
- Lush Philadelphia orchestration
- Darker, funk-driven introspection
- Cinematic soundtrack work
- The eventual sparkle of disco
This is a look at the artists and records that shaped 70s soul music.
It's one of the richest stretches in the genre's history.
The songs and movements that shaped 70s soul music.
70s Soul Music: Play the Songs
Here are 184 songs from this site's chart data that are tagged soul, from 1970 to 1979.
Press Play on any row to watch that song here, tap a heading to sort, and look at #1 Hit for weekly chart-toppers.
| Play | |||||
|---|---|---|---|---|---|
| War | Edwin Starr | 1970 | 5 | Yes | |
| Ain't No Mountain High Enough | Diana Ross | 1970 | 6 | Yes | |
| I'll Be There | The Jackson 5 | 1970 | 7 | Yes | |
| Band of Gold | Freda Payne | 1970 | 10 | ||
| ABC | The Jackson 5 | 1970 | 15 | Yes | |
| The Love You Save | The Jackson 5 | 1970 | 16 | Yes | |
| O-o-h Child | Five Stairsteps | 1970 | 21 | ||
| Ball of Confusion (That's What the World Is Today) | The Temptations | 1970 | 24 | ||
| Love on a Two-Way Street | The Moments | 1970 | 25 | ||
| I Want You Back | The Jackson 5 | 1970 | 28 | Yes | |
| Signed, Sealed, Delivered I'm Yours | Stevie Wonder | 1970 | 31 | ||
| Patches | Clarence Carter | 1970 | 35 | ||
| Rainy Night in Georgia | Brook Benton | 1970 | 37 | ||
| Give Me Just a Little More Time | Chairmen of the Board | 1970 | 39 | ||
| Hey There Lonely Girl | Eddie Holman | 1970 | 44 | ||
| Turn Back the Hands of Time | Tyrone Davis | 1970 | 51 | ||
| Still Water (Love) | The Four Tops | 1970 | 58 | ||
| Love or Let Me Be Lonely | The Friends of Distinction | 1970 | 63 | ||
| Groovy Situation | Gene Chandler | 1970 | 68 | ||
| Didn't I (Blow Your Mind This Time) | The Delfonics | 1970 | 71 | ||
| (If You Let Me Make Love To You Then) Why Can't I Touch You? | Ronnie Dyson | 1970 | 74 | ||
| It's a Shame | The Spinners | 1970 | 76 | ||
| I Want to Take You Higher | Ike & Tina Turner | 1970 | 79 | ||
| The Bells | The Originals | 1970 | 82 | ||
| Somebody's Been Sleeping | 100 Proof (Aged in Soul) | 1970 | 84 | ||
| Up the Ladder to the Roof | The Supremes | 1970 | 88 | ||
| Psychedelic Shack | The Temptations | 1970 | 91 | ||
| I'll Never Fall in Love Again | Dionne Warwick | 1970 | 95 | ||
| Call Me | Aretha Franklin | 1970 | 100 | ||
| Just My Imagination (Running Away with Me) | The Temptations | 1971 | 9 | Yes | |
| Tired of Being Alone | Al Green | 1971 | 12 | ||
| Want Ads | Honey Cone | 1971 | 13 | Yes | |
| Smiling Faces Sometimes | The Undisputed Truth | 1971 | 14 | ||
| Treat Her Like a Lady | Cornelius Brothers & Sister Rose | 1971 | 15 | ||
| Mr. Big Stuff | Jean Knight | 1971 | 18 | ||
| What's Going On | Marvin Gaye | 1971 | 21 | ||
| Ain't No Sunshine | Bill Withers | 1971 | 23 | ||
| I've Found Someone of My Own | The Free Movement | 1971 | 26 | ||
| Never Can Say Goodbye | The Jackson 5 | 1971 | 40 | ||
| I Love You for All Seasons | The Fuzz | 1971 | 45 | ||
| Whatcha See Is Whatcha Get | The Dramatics | 1971 | 46 | ||
| If You Really Love Me | Stevie Wonder | 1971 | 48 | ||
| Spanish Harlem | Aretha Franklin | 1971 | 49 | ||
| Bridge over Troubled Water | Aretha Franklin | 1971 | 52 | ||
| Mercy Mercy Me (The Ecology) | Marvin Gaye | 1971 | 62 | ||
| She's Not Just Another Woman | 8th Day | 1971 | 64 | ||
| Bring the Boys Home | Freda Payne | 1971 | 65 | ||
| Stick-Up | Honey Cone | 1971 | 70 | ||
| Groove Me | King Floyd | 1971 | 77 | ||
| Trapped By a Thing Called Love | Denise LaSalle | 1971 | 85 | ||
| Mama's Pearl | The Jackson 5 | 1971 | 86 | ||
| If I Were Your Woman | Gladys Knight & the Pips | 1971 | 90 | ||
| Don't Knock My Love | Wilson Pickett | 1971 | 93 | ||
| Right on the Tip of My Tongue | Brenda & the Tabulations | 1971 | 97 | ||
| One Less Bell to Answer | The 5th Dimension | 1971 | 98 | ||
| The First Time Ever I Saw Your Face | Roberta Flack | 1972 | 1 | Yes | |
| Lean on Me | Bill Withers | 1972 | 7 | Yes | |
| Let's Stay Together | Al Green | 1972 | 11 | Yes | |
| Oh Girl | The Chi-Lites | 1972 | 13 | Yes | |
| (If Loving You Is Wrong) I Don't Want to Be Right | Luther Ingram | 1972 | 16 | ||
| Betcha by Golly, Wow | The Stylistics | 1972 | 18 | ||
| I'll Take You There | The Staple Singers | 1972 | 19 | Yes | |
| Everybody Plays the Fool | The Main Ingredient | 1972 | 29 | ||
| (Last Night) I Didn't Get to Sleep at All | The 5th Dimension | 1972 | 31 | ||
| Too Late to Turn Back Now | Cornelius Brothers & Sister Rose | 1972 | 34 | ||
| Back Stabbers | The O'Jays | 1972 | 35 | ||
| Starting All Over Again | Mel and Tim | 1972 | 38 | ||
| Clean Up Woman | Betty Wright | 1972 | 49 | ||
| In the Rain | The Dramatics | 1972 | 53 | ||
| Look What You Done for Me | Al Green | 1972 | 54 | ||
| Where Is the Love | Roberta Flack & Donny Hathaway | 1972 | 58 | ||
| I'm Still in Love with You | Al Green | 1972 | 59 | ||
| Day Dreaming | Aretha Franklin | 1972 | 61 | ||
| Drowning in the Sea of Love | Joe Simon | 1972 | 77 | ||
| Use Me | Bill Withers | 1972 | 78 | ||
| Freddie's Dead | Curtis Mayfield | 1972 | 82 | ||
| Power of Love | Joe Simon | 1972 | 83 | ||
| Ain't Understanding Mellow | Jerry Butler & Brenda Lee Eager | 1972 | 84 | ||
| Baby Let Me Take You (In My Arms) | The Detroit Emeralds | 1972 | 95 | ||
| Walkin' in the Rain with the One I Love | Love Unlimited | 1972 | 98 | ||
| Pop That Thang | The Isley Brothers | 1972 | 100 | ||
| Killing Me Softly with His Song | Roberta Flack | 1973 | 3 | Yes | |
| Let's Get It On | Marvin Gaye | 1973 | 4 | Yes | |
| Me and Mrs. Jones | Billy Paul | 1973 | 15 | Yes | |
| You Are the Sunshine of My Life | Stevie Wonder | 1973 | 19 | Yes | |
| Love Train | The O'Jays | 1973 | 32 | Yes | |
| I'm Gonna Love You Just a Little More Baby | Barry White | 1973 | 33 | ||
| Natural High | Bloodstone | 1973 | 39 | ||
| Daddy's Home | Jermaine Jackson | 1973 | 44 | ||
| Neither One of Us (Wants to Be the First to Say Goodbye) | Gladys Knight & the Pips | 1973 | 45 | ||
| Could It Be I'm Falling in Love | The Spinners | 1973 | 47 | ||
| Midnight Train to Georgia | Gladys Knight & the Pips | 1973 | 49 | Yes | |
| I Believe in You (You Believe in Me) | Johnnie Taylor | 1973 | 58 | ||
| Ain't No Woman (Like the One I've Got) | The Four Tops | 1973 | 60 | ||
| Here I Am (Come and Take Me) | Al Green | 1973 | 63 | ||
| Why Can't We Live Together | Timmy Thomas | 1973 | 75 | ||
| So Very Hard to Go | Tower of Power | 1973 | 77 | ||
| Masterpiece | The Temptations | 1973 | 80 | ||
| One of a Kind (Love Affair) | The Spinners | 1973 | 82 | ||
| Break Up to Make Up | The Stylistics | 1973 | 88 | ||
| Yes We Can Can | The Pointer Sisters | 1973 | 95 | ||
| Papa Was a Rollin' Stone | The Temptations | 1973 | 100 | Yes | |
| Until You Come Back to Me (That's What I'm Gonna Do) | Aretha Franklin | 1974 | 11 | ||
| You Make Me Feel Brand New | The Stylistics | 1974 | 14 | ||
| Show and Tell | Al Wilson | 1974 | 15 | Yes | |
| Sideshow | Blue Magic | 1974 | 19 | ||
| Boogie Down | Eddie Kendricks | 1974 | 30 | ||
| Best Thing That Ever Happened to Me | Gladys Knight & the Pips | 1974 | 34 | ||
| Feel Like Makin' Love | Roberta Flack | 1974 | 35 | Yes | |
| Just Don't Want to Be Lonely | The Main Ingredient | 1974 | 36 | ||
| Nothing from Nothing | Billy Preston | 1974 | 37 | Yes | |
| I've Got to Use My Imagination | Gladys Knight & the Pips | 1974 | 41 | ||
| Living for the City | Stevie Wonder | 1974 | 45 | ||
| Then Came You | Dionne Warwick & The Spinners | 1974 | 46 | Yes | |
| Never, Never Gonna Give You Up | Barry White | 1974 | 55 | ||
| Rock and Roll Heaven | The Righteous Brothers | 1974 | 58 | ||
| Be Thankful for What You Got | William DeVaughn | 1974 | 60 | ||
| Hang on in There Baby | Johnny Bristol | 1974 | 61 | ||
| Lookin' for a Love | Bobby Womack | 1974 | 67 | ||
| Put Your Hands Together | The O'Jays | 1974 | 68 | ||
| On and On | Gladys Knight & the Pips | 1974 | 69 | ||
| For the Love of Money | The O'Jays | 1974 | 75 | ||
| Trying to Hold on to My Woman | Lamont Dozier | 1974 | 87 | ||
| Don't You Worry 'bout a Thing | Stevie Wonder | 1974 | 88 | ||
| My Mistake (Was to Love You) | Diana Ross & Marvin Gaye | 1974 | 92 | ||
| Rockin' Roll Baby | The Stylistics | 1974 | 96 | ||
| Mighty Love | The Spinners | 1974 | 100 | ||
| Lady Marmalade | Labelle | 1975 | 23 | Yes | |
| You're the First, the Last, My Everything | Barry White | 1975 | 49 | ||
| Walking in Rhythm | The Blackbyrds | 1975 | 53 | ||
| The Way We Were/Try to Remember | Gladys Knight & the Pips | 1975 | 54 | ||
| Express | B.T. Express | 1975 | 59 | ||
| You Are So Beautiful | Joe Cocker | 1975 | 67 | ||
| When Will I See You Again | The Three Degrees | 1975 | 75 | ||
| Get Down, Get Down (Get on the Floor) | Joe Simon | 1975 | 76 | ||
| Sha-La-La (Make Me Happy) | Al Green | 1975 | 82 | ||
| You Got the Love | Rufus | 1975 | 84 | ||
| It Only Takes a Minute | Tavares | 1975 | 86 | ||
| Swearin' to God | Frankie Valli | 1975 | 99 | ||
| Kiss and Say Goodbye | The Manhattans | 1976 | 6 | Yes | |
| Love Machine | The Miracles | 1976 | 7 | Yes | |
| Sara Smile | Daryl Hall & John Oates | 1976 | 11 | ||
| Misty Blue | Dorothy Moore | 1976 | 19 | ||
| You Sexy Thing | Hot Chocolate | 1976 | 22 | ||
| Sweet Love | Commodores | 1976 | 27 | ||
| You'll Never Find Another Love Like Mine | Lou Rawls | 1976 | 32 | ||
| Theme from Mahogany (Do You Know Where You're Going To) | Diana Ross | 1976 | 43 | Yes | |
| I Love Music | The O'Jays | 1976 | 52 | ||
| Sing a Song | Earth, Wind & Fire | 1976 | 59 | ||
| Let's Do It Again | The Staple Singers | 1976 | 66 | Yes | |
| This Masquerade | George Benson | 1976 | 69 | ||
| Wake Up Everybody | Harold Melvin & the Blue Notes | 1976 | 73 | ||
| Getaway | Earth, Wind & Fire | 1976 | 80 | ||
| She's Gone | Daryl Hall & John Oates | 1976 | 81 | ||
| Walk Away from Love | David Ruffin | 1976 | 88 | ||
| Angel in Your Arms | Hot | 1977 | 5 | ||
| Sir Duke | Stevie Wonder | 1977 | 18 | Yes | |
| Got to Give It Up | Marvin Gaye | 1977 | 20 | Yes | |
| Rich Girl | Hall & Oates | 1977 | 23 | ||
| Hot Line | The Sylvers | 1977 | 25 | ||
| You Don't Have to Be a Star (To Be in My Show) | Marilyn McCoo & Billy Davis Jr. | 1977 | 27 | Yes | |
| Easy | Commodores | 1977 | 33 | ||
| I've Got Love on My Mind | Natalie Cole | 1977 | 35 | ||
| Enjoy Yourself | The Jacksons | 1977 | 40 | ||
| Strawberry Letter 23 | The Brothers Johnson | 1977 | 54 | ||
| Float On | The Floaters | 1977 | 72 | ||
| Love So Right | Bee Gees | 1977 | 80 | ||
| The Rubberband Man | The Spinners | 1977 | 81 | ||
| High School Dance | The Sylvers | 1977 | 84 | ||
| Ain't Gonna Bump No More (With No Big Fat Woman) | Joe Tex | 1977 | 86 | ||
| I Wanna Get Next to You | Rose Royce | 1977 | 87 | ||
| Three Times a Lady | Commodores | 1978 | 10 | Yes | |
| Too Much, Too Little, Too Late | Johnny Mathis & Deniece Williams | 1978 | 28 | Yes | |
| The Closer I Get to You | Roberta Flack & Donny Hathaway | 1978 | 38 | ||
| Use ta Be My Girl | The O'Jays | 1978 | 42 | ||
| Our Love | Natalie Cole | 1978 | 43 | ||
| On Broadway | George Benson | 1978 | 55 | ||
| Always and Forever | Heatwave | 1978 | 75 | ||
| You Can't Turn Me Off (In The Middle Of Turning Me On) | High Inergy | 1978 | 89 | ||
| Reunited | Peaches & Herb | 1979 | 5 | Yes | |
| Mama Can't Buy You Love | Elton John | 1979 | 36 | ||
| After the Love Has Gone | Earth, Wind & Fire | 1979 | 38 | ||
| Ooo Baby Baby | Linda Ronstadt | 1979 | 77 | ||
| Sail On | Commodores | 1979 | 98 |
Year-End Rank is the song's spot on that year's Billboard Year-End Hot 100.
The #1 Hit column marks songs that also reached number one on the weekly Hot 100.
Beyond the Year-End List: 70s Soul Music Hits the Top 100 Left Out
The Year-End Hot 100 keeps only each year's 100 biggest songs.
Plenty of weekly Hot 100 hits never made it onto that list, including these 10 picks for 70s soul music.
None is on any 1970 to 1979 year-end top 100, and all 10 charted weekly.
| Play | Source | ||||
|---|---|---|---|---|---|
| Stoned Love | The Supremes | 1970 | 7 | Wikipedia | |
| Inner City Blues (Make Me Wanna Holler) | Marvin Gaye | 1971 | 9 | Wikipedia | |
| Rock Steady | Aretha Franklin | 1971 | 9 | Wikipedia | |
| People Make the World Go Round | The Stylistics | 1971 | 25 | Wikipedia | |
| Trouble Man | Marvin Gaye | 1972 | 7 | Wikipedia | |
| I'm Stone in Love with You | The Stylistics | 1972 | 10 | Wikipedia | |
| The Love I Lost | Harold Melvin & the Blue Notes | 1973 | 7 | Wikipedia | |
| Games People Play | The Spinners | 1975 | 5 | Wikipedia | |
| I Want You | Marvin Gaye | 1976 | 15 | Wikipedia | |
| Love Don't Live Here Anymore | Rose Royce | 1978 | 32 | Wikipedia |
Weekly Peak is each song's best spot on the weekly Billboard Hot 100.
Each peak comes from the song's own linked Wikipedia article.
None of these songs is ranked on a year-end list, so the table shows no Year-End Rank.
What Is 70s Soul Music?
70s soul music is African-American pop built on gospel and rhythm and blues roots. In the decade it split into Motown's socially aware turn, Philadelphia's string-rich sound, Southern grit and, late on, disco and quiet storm. Landmarks include What's Going On, Let's Get It On and Songs in the Key of Life.
Marvin Gaye and Stevie Wonder Broke Free From Motown
By the 70s, Marvin Gaye and Stevie Wonder had spent most of the previous decade inside Motown.
That system was famous for its tight creative control.
Once that grip loosened, both artists used the moment to push soul music into more ambitious, more personal territory.
Gaye and Wonder: Two Sets of Freedom
Gaye's work covered remarkable range in this era.
- "What's Going On": confronted war, poverty, and political unrest directly.
- "Let's Get It On": turned toward something far more intimate.
- "Got to Give It Up": proved he could fill a dancefloor too.
Wonder covered similarly wide ground, from the jazz-influenced tribute "Sir Duke" to the deeply autobiographical "I Wish."
Together, they set the tone for the rest of the decade.
Soul music could be socially conscious and deeply personal, yet still built for the radio.
Both artists proved a hit record and a real message weren't mutually exclusive.
Marvin Gaye performing at the Forum in Inglewood, California, May 20, 1974.
Image credit: Photo by Los Angeles Times / UCLA Library, CC BY 4.0, via Wikimedia Commons.
Curious which other 70s soul acts you'd land on next?
Our Random Artist Picker pulls a new one every time.
What Is Going On Did for Gaye
Gaye's album What's Going On came out on May 21, 1971.
It was the first Gaye album to credit him as its producer.
Motown boss Berry Gordy was reluctant to release the title song at first.
Gordy worried that a political song would cost Gaye his crossover audience.
The title track still reached number 2 on the Billboard Hot 100.
Kenny Gamble and Leon Huff Built the Philly Soul Sound
Gaye and Wonder expanded what soul music could say.
Songwriters and producers Kenny Gamble and Leon Huff expanded what it could sound like.
Known as the architects of Philly soul, the pair built lush, string-laden arrangements.
Those arrangements sat over grooves that never lost their pull on the dancefloor.
That sound found its clearest statement in "TSOP," short for "The Sound of Philadelphia."
The instrumental, performed by the studio group MFSB, ended up defining an entire regional movement.
Philly soul's influence reached far beyond any single artist.
It shaped the production style that countless soul and disco records borrowed from.
That influence lasted the rest of the decade.
TSOP and Soul Train
MFSB charted with TSOP in 1974.
Gamble and Huff wrote and produced the track.
It became the theme for the TV show Soul Train.
The core rhythm section was bassist Ronald Baker, guitarist Norman Harris and drummer Earl Young.
The lush, orchestral approach would even shape disco's string-heavy sound later on.
Soul Turned Inward: Sly & The Family Stone and The Temptations
Not every direction 70s soul music took was upbeat.
Sly & The Family Stone's "Family Affair" traded the band's earlier brightness for a moody, minimalist groove.
That shift signaled a darker, more introspective turn for the genre.
The Temptations went through a similar shift.
They moved from Motown-era pop structure into psychedelic soul territory.
Tracks like "Ball of Confusion" and "Papa Was a Rollin' Stone" both opened with long, dramatic intros.
Those intros mirrored the chaos of the era.
Both records still found major commercial success despite their heavier subject matter.
That willingness to sit in discomfort, rather than resolve it quickly, stands out.
It's part of what makes this stretch of 70s soul music still feel vivid decades later.
Cinematic Funk and a Teenage Voice
Isaac Hayes took soul in a different direction entirely with "Theme from Shaft."
He brought a cinematic, funk-driven sound to film scoring.
The track set a new standard for what Black cool could sound like on screen.
On the opposite end of the spectrum, a 14-year-old Michael Jackson delivered something unexpected.
His vocal on the tender ballad "Ben" showed startling emotional maturity for his age.
That range, from Hayes' sweeping orchestral funk to a teenager singing with real emotional depth, is striking.
It shows just how much room 70s soul music made for completely different kinds of artistry.
The Best 70s Soul Songs, by the Charts
"Best" is a matter of taste, so this page lets the Billboard charts make the call.
Of the 184 songs in the list at the top, 35 also reached number one on the weekly Hot 100.
The table counts them by year.
| Year | Soul songs in the list | Reached #1 |
|---|---|---|
| 1970 | 29 | 6 |
| 1971 | 26 | 2 |
| 1972 | 26 | 5 |
| 1973 | 21 | 7 |
| 1974 | 25 | 4 |
| 1975 | 12 | 1 |
| 1976 | 16 | 4 |
| 1977 | 16 | 3 |
| 1978 | 8 | 2 |
| 1979 | 5 | 1 |
70s soul music was strongest on the charts at the start of the decade.
The 1970 to 1974 lists hold 127 of the 184 songs.
The count falls to just 5 by 1979, in a year the site's data tags 34 songs as disco.
The Longest Soul Runs at Number One
Four soul songs in the list stayed at number one the longest, by weekly Hot 100 weeks:
- The First Time Ever I Saw Your Face: Roberta Flack, 6 weeks, and the top song on the 1972 Year-End list.
- Killing Me Softly with His Song: Roberta Flack, 5 weeks, in 1973.
- I'll Be There: The Jackson 5, 5 weeks, in 1970.
- Reunited: Peaches & Herb, 4 weeks, in 1979.
The Jackson 5 Open the Decade
The weekly chart data shows four Jackson 5 songs reaching number one in 1970.
They are I Want You Back, ABC, The Love You Save and I'll Be There.
No other act in the soul list has that many number ones in a single year.
The Biggest 70s Soul Artists
The list of 70s soul music holds songs from 113 different acts.
These eight have the most songs in it.
| Artist | Soul songs in the list | Reached #1 |
|---|---|---|
| Gladys Knight & the Pips | 7 | 1 |
| Al Green | 6 | 1 |
| Stevie Wonder | 6 | 2 |
| The Jackson 5 | 6 | 4 |
| The O'Jays | 6 | 1 |
| Aretha Franklin | 5 | 0 |
| The Spinners | 5 | 0 |
| The Temptations | 5 | 2 |
Duets and group credits count as separate acts, so a song by The Spinners with Dionne Warwick is not counted under The Spinners.
Al Green performing on The Mike Douglas Show, February 25, 1973.
Image credit: Photo courtesy of the Mike Douglas Show, public domain, via Wikimedia Commons.
Al Green, shown here in 1973, is one of the six-song acts in the list.
Soul on the Album Charts
Singles tell only half the story of 70s soul music.
The decade's biggest soul statements were albums, and Billboard tracked them on a separate soul albums chart.
| Album | Artist | Released | Chart fact |
|---|---|---|---|
| What's Going On | Marvin Gaye | May 21, 1971 | 9 weeks at number one on Billboard's Soul LPs chart |
| Songs in the Key of Life | Stevie Wonder | September 28, 1976 | 13 consecutive weeks at number one on the Billboard 200 |
Stevie Wonder in a Los Angeles recording studio, August 1975.
Image credit: Photo via UCLA Digital Library, CC BY 4.0, via Wikimedia Commons.
Songs in the Key of Life was a double album with a bonus four-song EP.
It debuted at number one and won the Grammy for Album of the Year.
Two of its singles topped the Hot 100 as well.
- I Wish: one week at number one on the Hot 100 and five on the R&B chart.
- Sir Duke: three weeks at number one on the Hot 100 and one on the R&B chart.
70s Soul Music's Disco Turn
By the middle of the decade, soul's grooves had started accelerating into something new.
- Johnnie Taylor's "Disco Lady" became one of the first singles ever to be certified platinum.
- Donna Summer pushed disco into bolder territory, adding rock guitar to "Hot Stuff" and daring sensuality to "Love to Love You Baby," earning her the title Queen of Disco.
- Chic's "Good Times" paired Nile Rodgers' guitar work with Bernard Edwards' bassline, a combination that went on to directly shape the sound of early hip-hop.
70s soul music never stopped evolving, right through to its disco period.
That final stretch of the decade shows how directly disco grew out of soul and funk.
It didn't appear out of nowhere.
The dancefloor sound of the late 70s was still soul music at its core.
It was just sped up for the club.
Where Soul Went Next: Quiet Storm
Disco and funk had the hits as the decade closed.
70s soul music answered with a gentler direction called quiet storm.
It favored relaxed tempos and soft melodies.
The sound drew on fusion and adult contemporary, and it carried soul into the 1980s.
Want to hear how these tracks stack up against other decade favorites?
Our Random 70s Song Generator pulls a new one with every spin.
For a wider look at where rock was headed at the same time, see our 70s Rock retrospective.
More 70s Soul and Neighboring Sounds
Soul never stayed in its own lane, so these pages pick up where this guide to 70s soul music stops.
- 70s funk shares soul's roots and its biggest crossover names.
- 70s disco music is where the dance floor took soul's grooves.
- James Brown built the funk side of the story.
- Donna Summer carried soul vocals into disco.
- 70s number one hits lists every weekly chart-topper of the decade.
- 70s female singers covers Aretha Franklin, Roberta Flack and more.
Sources
The chart counts come from this site's own Billboard data, described on the methodology page.
The historical details were checked against these outside sources:
- Wikipedia: Soul music for the genre's roots, Motown's 1970s role and quiet storm.
- Wikipedia: Philadelphia soul for Gamble and Huff, MFSB and TSOP.
- Wikipedia: What's Going On for the release date, production credit and chart runs.
- Wikipedia: Songs in the Key of Life for the release date, chart runs and Grammy win.
Frequently Asked Questions
What is 70s soul music?
70s soul music is the decade's evolution of African-American soul, a style that grew from gospel and rhythm and blues.
Motown artists such as Marvin Gaye and Stevie Wonder made it more socially aware, Philadelphia added lush strings, and by the late 1970s it was branching into disco and quiet storm.
Who were the most influential 70s soul music artists?
Marvin Gaye and Stevie Wonder led the genre's shift toward more personal, socially conscious songwriting.
Producers Kenny Gamble and Leon Huff shaped its sound through the Philly soul movement.
Isaac Hayes, Donna Summer, and The Temptations each pushed the genre in different directions.
Those directions ranged from cinematic funk to disco to psychedelic soul.
What is Philly soul?
Philly soul was a sound built by producers Kenny Gamble and Leon Huff.
It's known for lush, string-laden arrangements layered over dance-ready grooves.
Its defining statement was "TSOP," short for "The Sound of Philadelphia."
That instrumental, performed by the studio group MFSB, became one of the movement's most recognizable tracks.
How is 70s soul music connected to disco?
Disco grew directly out of soul and funk rather than emerging as a separate genre.
Tracks like Johnnie Taylor's platinum-certified "Disco Lady" and Chic's "Good Times" show that connection clearly.
Chic's groove in particular went on to directly influence the sound of early hip-hop.
Was Michael Jackson part of the 70s soul scene?
Michael Jackson was part of the 70s soul scene.
He was just 14 years old when he recorded the tender ballad "Ben."
That performance showed real emotional depth at a young age.
His solo career didn't fully take off until later in the decade.
How did soul music change after the Motown era?
Artists like Marvin Gaye and Stevie Wonder gained newfound creative freedom outside Motown's tightly controlled structure.
They used that freedom to write about social and political issues, not just romance.
That shift opened the door for soul to become more introspective and experimental.
It eventually evolved into disco by the end of the decade.
Which 70s soul songs reached number one?
Of the 184 soul-tagged songs on this site's Billboard Year-End lists, 35 reached number one on the weekly Hot 100.
They include The First Time Ever I Saw Your Face, Killing Me Softly with His Song, I'll Be There, Let's Get It On, Sir Duke and Reunited.